Top three 3-D movies of all time

Just a quick top three after a recent visit to Box Office Mojo:

The top three 3-D movies of all time
Numbes reflect total International Gross
Corrected for inflation (ticket price)

1. Spy Kids 3-D (2003)
35mm Anaglyph projection
$230,504,018

2. Jaws 3-D (1983)
35mm Polarized projection
$197,970,873

3. Journey to the Center of the Earth 3-D (2008)
Digital 3-D projection
$96,387,658

So not only is the highest grossing 3-D movie of all time a very 'simple' anaglyph 35mm projection, its budget is definitely also the lowest of the three.

It is good to see a polarized 35mm projection on the number two spot, and then, finally, a digitally projected 3-D film. James Cameron must be hissing and huffing and puffing. Well, with his upcoming 3-D movie Avatar having a $195,000,000 budget and a niche Sci-fi market to play the movie to, he will certainly continue to do so...

And so which film of the top three is the most recognizable and memorable of them all? Exactly, Jaws 3-D. That film from 1983 that today’s journalists can’t bash enough – whenever they aren’t generally bashing anaglyph as a release format, that is. Too bad then it’s not them, but Robert Rodriguez who is laughing all the way to the bank with a hefty $186,000,000 cheque in his pocket for the anaglyph Spy Kids 3-D. People, wake up to the reality of what works in 3-D and why.

Journey 3-D Review

Finally, a new 3-D Stereoscopic Film Review on the 3-D Review page of The 3-D Revolution website! This time it's a review of the Stereoscopic 3-D as used in 'Journey 3-D', or: 'Journey to the Center of the Earth 3-D'. Check it out here.

You can still find the Beowulf 3-D review here and if Hollywood keeps its promise, there are plenty more 3-D reviews to come.

There are plenty of reviews of Journey 3-D that talk about how great the digital projection of the picture is, how the story is based on a Jules Verne book and how the 3-D HD camera system and the Real-D projection is amazing and digital.

But none of the reviews out there talk about the use of 3-D, and especially not the cinematic use of 3-D. That is mainly because most reviewers will copy press material released by the studio and distributor but also because film critics don’t necessarily know anything about 3-D and how to analyze and grade it. So here is a review that does just that: look very closely at the 3-D and talk about why it works when the 3-D is great and what makes for poor 3-D...

The 3-D Review